I am a Berlin-based artist who uses moving images as a jumping-off point, building physical environments around my films rather than keeping them on a screen. My installations combine video, sound, furniture, architecture, computers and custom technology to create spaces that feel like immersive, slightly surreal film sets.

Much of my work focuses on the mechanics of masculinity – specifically how men absorb, perform, and mimic the media around them. Vintage technology plays a central role here: I personally restore early Macintosh computers and wire them into my installations not as retro props, but as live, networked actors that communicate with one another.

In films like SOYBOY and #Grab ’em by the pussy, I blend found footage, personal history, and research to trace how digital culture quietly shapes memory, behavior, and self-image.